Showing posts with label nightfilm. Show all posts
Showing posts with label nightfilm. Show all posts

Friday, 8 November 2013

What Shall I Read Today? Part 10

Night Film. Marisha Pessl, (2013)

I love when books keep you awake during the night, when you feel you have to read another page, finish another paragraph, then another chapter. Night Film plays with its readers exactly like this. It is built on many different layers which makes it accessible to every kind of reader. There's the detective story (which people who have loved The Girl with the Dragon Tattoo trilogy will adore), there are the film-experts quotes, there's New York as setting, there are mysterious places, and the book's format is modern and close to our reality which makes us get lost in it even more.
I am glad I found out a new writer whose words can be like knives, and who interplays with different media in her stories: Internet, newspapers, television, films in all their forms, blogs, everything.
Remember that when you are reading it almost nothing is as it seems, be ready to be surprised and puzzled until the very last page.

Favourite quotes:

"Will you curl up with your eyes closed and die? Or can you fight your way out of it and fly?"

"I looked like I wasn't at a cocktail party but an airport, waiting for my life to take off. Infinitely delayed."

"All of them walking around with holes where their hearts should be, wondering where they belong, what side they're fighting for."

"For the impenetrable prison with the impossible lock is your own head."

"There might be a Starbucks on every corner, and an iPhone in every ear, but don't worry, people are still fucking crazy."

"Scientists look for aliens in the universe, but they're here. Aliens who pass for men. They've already invaded. For our own safety we should leave them be."

"It meant deep-diving love, a love that excavates you. It's something you have to have before you die in order to have lived."

"She told me her father taught her to live life way beyond the cusp of it, way out in the outer reaches where most people never had the guts to go, where you go hurt. Where there was unimaginable beauty and pain. She was always demanding of herself, Do I dare? Do I dare disturb the universe? From Prufrock. They were always reminding themselves to stop measuring life in coffee spoons, mornings and afternoons, to keep swimming away, way down to the bottom of the ocean to find where the mermaid sang, each to each. Where there was danger and beauty and light. Only the now. Ashley said it was the only way to live."

"We are nothing without our shadows. They give our otherwise pale, blinding world definition. They allow us to see what's right in front of us. Yet they'll haunt us until we're dead."




Thursday, 19 September 2013

Back In London - September Updates

I apologize again for my frequent absence, but I can finally say I'm back in London, the new house is perfect, I'm almost done with moving out, and I'm ready to get the most from the city and tell you everything.
So, first things first.
Next week I will tell you my opinion about Paolo Sorrentino's The Great Beauty, which I'm finally going to see, but also about the new Woody Allen's film coming out tomorrow: Blue Jasmine.



Moreover I'll have the pleasure to attend Q&A with two amazing screenwriters at the BFI:

Susannah Grant (28 September). Do you remember a certain Erin Brockovich (which gained her both BAFTA and Oscar nominations) Or Pocahontas? Without forgetting the Cinderella story Ever After starring Drew Barrymore, 28 Days, In Her Shoes, and many others.
About her writing process:
"I always have a road map. It is an outline that gets revised as I move along. I start with, "How does this movie start? What's the first scene? What's the scene after that? And I bite off a little piece at a time. It's like climbing a mountain. You can't look at the mountain top, you just have to look at the ridge you're on."


Tony Gilroy (29 September). I'm looking forward for this meeting because of my love for thrillers. He is known for the Bourne films, The Devil's Advocate, Proof of Life, Michael Clayton winning him both BAFTA and Oscar nominations.
Quoting the BFI booklet:
He says the films that inspire him must have "a singular voice. You get some really strong point-of-view all the way through. The more concentrated, consolidated and ballsy that is - those are our best films."


Last, but not least, I leave you with a reading advice. I read many good reviews about Marisha Pessls' new book: Night Film. Here's The New York Times review of it: