Yesterday night I probably attended the most emotional event of my life so far. Since I am obsessed with Kubrick's work I just couldn't miss
the occasion of rewatching his masterpiece with live orchestra at the Royal
Festival Hall.
The event was presented in association with BFI with support
from Warner Bros.
A Word from
Christiane Kubrick about Stanley Kubrick
"Stanley
was very happy when he came across Richard Strauss' Thus Spoke Zarathustra. For
him it expressed the overwhelming thoughts and longings we all feel when we as
children look at the sun and the moon and the stars. How wonderful it would be
if we could know more, understand more and be a million times smarter. That's
what I feel today when I am looking at the latest Hubble telescope-wonders. Last
time he was at Royal Festival Hall Stanley heard Verdi's Requiem; he could
never have imagined that his film 2001: A Space Odyssey would years later be
projected in this very hall over a live orchestra performance. Stanley was
interested in the politics of power and his film expresses a deep wish for
humanity to survive and to escape self-destruction. Is there outside help? Can
we count on it? Stanley was not religious, but, like most of us, speculated in
the face of the unknowable, hidden in an endless universe in which our little
planet may not play any role at all. But it's all we have - it is a world to
us."
Music and films are for me the most powerful combination of arts.
As the amazing conductor,
Benjamin Wallfisch, started preparing for the big opening sequence, my heart
was pounding, I was feeling the whole range of emotions that the film text, the immensity of the
universe, and the glorious Strauss' music, could possibly suscitate.
The most
impressive thing was that the conductor standing in front of the screen and his
orchestra, directing all the elements, checking the timing and emotional impact
of the musical language, was like Kubrick. In that moment
he became the director,
feeling, suffering, for his work of art. And
entering someone else's feeling and their intensity is not something everyone
can do.
I want to thank the Philarmonia Orchestra, whose
work is of immense importance. Thank you for giving me a new and different way
of looking at one of my favourite films of all time.
Don't miss out my next post in which I will talk about the The Rest is Noise Festival,
and about the great events you can attend during the next three months.
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